Fiona Gillmore and Jeremy O'Sullivan

Til Tomorrow examind time in flux, the construction of moments and the temporary. Employing the mechanics of the everyday to create a collection of interchangeable moments, Til Tomorrow included sculptural, aural, moving image and graphic vinyl elements. Til Tomorrow was constructed collaboratively in the gallery in the 48 hours preceding the opening. Til Tomorrow was a constructed environment rather than an exhibition of separate pieces of work. It was a collision of temporary surfaces and skeletal structures. The exhibition had no clear focal centre giving it a restless feeling, indicating a captured moment in a continuum rather than a fixed point in time. Til Tomorrow existed in a state of constant flux as an exploration of fluid and ephemeral practice. Placards featuring graphic arrows, lines and slogans such as 'virtually anything' and 'none the less' gave the installation a sound bite feel which kept the eye and mind moving around the space, never resting in any one place for long.